In the world of “Pretty Woman,” there are several operas that could be considered as fitting for the film’s romantic narrative. The choice of opera can indeed reflect the characters’ personalities and the themes explored within the story. Let us explore some of these possibilities.
Firstly, “La Traviata” (also known as “Traviata”) by Giuseppe Verdi is often associated with love, passion, and the tragic nature of forbidden desires. In the context of “Pretty Woman,” this opera could symbolize the illicit yet passionate relationship between Vivian Ward and Edward Lewis. It is a tale of a courtesan who finds true love but is forced to choose between her past and her future happiness. This opera’s depiction of the struggle between morality and desire aligns well with the complexities of their relationship.
On the other hand, “Madama Butterfly” by Giacomo Puccini also offers an intriguing perspective. Set against the backdrop of 19th-century Japan, it tells the story of a geisha who marries an American naval officer and becomes disillusioned when he abandons her for another woman. This opera’s focus on cultural clash and the heartbreak of being abandoned by someone you love could resonate with the feelings Vivian experiences upon learning about Edward’s past. However, it might not fully capture the contemporary setting and urban drama of “Pretty Woman.”
Alternatively, “The Barber of Seville” by Gioachino Rossini could provide a more light-hearted and comedic touch to the film’s romantic storyline. The opera’s plot revolves around a young man named Figaro who falls in love with Rosina, the ward of Count Almaviva. Figaro disguises himself as a barber to win Rosina’s affection and eventually marries her. This opera’s lightheartedness and charm could mirror the playful and somewhat innocent aspects of Vivian and Edward’s relationship. However, its tone might not match the film’s darker undertones and the societal pressures they face.
Another option could be “Rigoletto” by Giuseppe Verdi, which delves into themes of power, jealousy, and the consequences of one’s actions. Set in Renaissance Italy, the opera follows the life of Gilda, the daughter of the court jester Rigoletto, who falls in love with the Duke of Mantua. The opera’s exploration of betrayal and the dark side of power could add depth to the film’s narrative, reflecting the tension between Vivian and Edward’s respective social statuses and the moral ambiguities of their relationship.
Ultimately, the choice of opera would depend on the director’s vision and how well it aligns with the overall tone and message of “Pretty Woman.” Each opera has its unique strengths and could potentially enhance the film’s emotional impact.